Last week, I debated whether Twitter could be literature. I didn’t end up with a clear answer, essentially concluding that the difference between words and literature is only based on the subjectivity that is intention and interpretation. In other words, if the author meant it to be literature, it is, and if the reader understands it as literature, it is.
This, of course, is not very helpful. Perhaps that discussion can be continued and furthered, then, by looking at an accepted shorter form of literature — the short story.
I’m finishing up the illustrious Neil Gaiman’s Trigger Warning right now, a collection of “short fictions and disturbances.” I’ve loved Neil Gaiman’s novels for a long time; American Gods and Good Omens (written with Terry Pratchett) are two of my favorite books. Yet despite my enjoyment of Gaiman’s novels, I have always been more fascinated with his short fiction. As he puts it, they are often “disturbances,” seemingly small pieces of a puzzling whole that is always just out of my grasp.